In the repurposed factory in Shanghai, the WOSA Sintered Stone Showroom changed the idea of traditional retail spaces. Awarded the prestigious “Interior Design of the Year” at the BLT Built Design Awards, this project explores the possibilities of showcasing materials and transforming them into immersive, artful experiences.

Manuel Lap Yan Lam, founder and chief architect of The Volks Design Research & Consulting Ltd, is the creative force behind this extraordinary design. With an impressive background that includes a master’s degree from Harvard University and experiences among top leading architecture and design firms such as Foster & Partners in London and Sasaki in Boston, Manuel brings a unique blend of global expertise and artistic sensitivity to his work.

Manuel shares his inspiration, challenges, and vision in this interview, inviting us to enter a showroom where retail is anything but ordinary, transforming into an artful journey.

WOSA Sintered Stone Showroom

WOSA Sintered Stone Showroom, The Volks Design Research & Consulting Ltd. // Manuel Lap Yan Lam

Could you walk us through your vision and guiding principles behind the WOSA  Sintered Stone Showroom?  

Our design philosophy emphasizes that every showroom should not only highlight the best qualities of the products on display but also leave a lasting impression on visitors. For the WOSA Sintered Stone  Showroom, our vision is to transform stone into a work of art,  showcasing its thinness, texture, and moldable form.  

We aim to create a space that merges aesthetics, craftsmanship, and spatial exploration, akin to entering a stone museum. This environment allows visitors to explore, discover, enjoy, imagine, and experience the beauty of stone materials in a new light.  

In this project, we are redefining retail experiences for the modern customer, moving away from traditional sales techniques and typical display shelves. Our goal is to craft an unforgettable experience that transcends the status quo, inviting visitors to engage with the materials in a meaningful way.

How did you ensure that the creative elements of the design remained practical for a retail environment?  

To ensure the creative elements of our design were practical for a retail environment, we adopted a collaborative approach. We worked closely with in-house staff and sales teams to understand the retail logic, typical settings, and existing challenges they face.  

Additionally, we conducted in-depth discussions and workshops with the manufacturing team to gain insights into the characteristics of their products, including their strengths and weaknesses. Engaging with company leaders was crucial for understanding their future plans,  branding strategies, and market sectors.  

Through this comprehensive research and dialogue, we were able to balance their needs with technical considerations. Our expertise in architecture, interior design, and product design allowed us to develop a brand image that aligns with their expectations while incorporating about 20% creative elements. This approach enabled us to deliver results that exceeded their expectations, blending creativity with practicality seamlessly.

WOSA Sintered Stone Showroom, The Volks Design Research & Consulting Ltd.

WOSA Sintered Stone Showroom, The Volks Design Research & Consulting Ltd.

Can you tell us how each element works together to leave a lasting impression on visitors?  

From the moment visitors arrive, they are greeted by an artful space that sets the tone for their experience. Upon entering, they encounter various architectural forms, each made from unique materials. While these structures may look distinct, they are all designed with a cohesive methodology that visually connects them.  

This design approach can be likened to a classical music composition,  where different architectural elements represent different tones yet share a common rhythm and logic that creates a harmonious whole.  The showroom offers a creative journey that excites visitors at every turn, whether they are ascending or descending within the space.  

As they explore, visitors come away with the impression of having visited a museum, where each artwork presents a unique artistic expression around a shared theme. This thoughtful integration of elements ensures that their experience is not only memorable but also deeply engaging, leaving a lasting impression.

You’ve described this project as a kind of “journey” for visitors. How do you hope customers and industry professionals interpret the experience?  

This project is designed not as a typical sales platform that merely displays products along a wall but as a stone museum resembling a cityscape. Here, customers and visitors are encouraged to explore and engage with the space at their own pace, free from the pressure of making immediate purchases.  

The experience is akin to a journey, where each stop offers something unique—be it insights into the products, their applications, colors,  textures, shadows, reflectivity, or forms. Each product is presented as a small piece of architecture, showcasing its versatility and potential uses.  

In certain designated areas, we plan to periodically collaborate with different artists to transform products into art pieces, further enriching the experience. We hope this project inspires industry professionals to think beyond traditional retail spaces, envisioning them instead as environments that enhance the urban experience or function as public spaces. Ultimately, we aim for visitors to leave with a deeper appreciation of the materials and their artistic potential.

With the WOSA Sintered Stone  Showroom set within a repurposed factory,  how did the original architecture of the space influence your design decisions?  

The WOSA Sintered Stone Showroom is intentionally located within a repurposed factory, and this historical context significantly influenced our design approach. Rather than obscuring the original architecture with new materials, we chose to embrace its authentic character.  

We left most of the existing flooring untouched, as we believe the wear and patina of time tell a story that cannot be replaced. Our design philosophy celebrates the history of the space; we liken ourselves to archaeologists who carefully excavate and highlight the original features. This includes preserving elements like existing graffiti and the structural integrity of the building while thoughtfully removing later additions that detracted from its character.  

By juxtaposing old and new elements, we aim to create a richer, more memorable experience for customers. The contrast enhances the appreciation of both the historical context and the innovative design of the showroom, allowing visitors to connect with the space on multiple levels.

How have your previous experiences influenced your approach to a project like this?  

My previous experiences have profoundly shaped my approach to projects like the WOSA Sintered Stone Showroom. With an architecture degree from Harvard and a background working with renowned firms such as Foster and Partners and Sasaki, I bring a unique perspective to each interior project. I view interiors not just as isolated spaces but as integral parts of a larger urban fabric, where each element functions like architecture within a city.  

In this project, the layout is intentionally designed to mimic a city,  featuring plazas, visual corridors, and distinct architectural forms at varying levels. This arrangement creates an engaging environment that encourages exploration and interaction.  

Additionally, my roots in Macau have deepened my appreciation for history and the rich textures of old architecture. After years in modern urban settings, returning to Macau allowed me to recognize the beauty in its historic streets and buildings. This appreciation is evident in the showroom design, where elements of old and new coexist harmoniously, inviting visitors to engage with the layered history of the space. Ultimately, these experiences inspire me to create environments that are both innovative and reflective of their cultural context.

Winning the “Interior Design of the  Year” at the BLT Built Design Awards is significant. In your view, what aspects of the showroom design do you believe set this project apart in the eyes of the judges?  

Thank you for recognizing our achievement in winning the “Interior  Design of the Year” at the BLT Built Design Awards; it is indeed a significant acknowledgment. I believe what sets this showroom apart is its departure from the conventional showroom model. It transcends mere decoration and showcases a strong spatial composition and diversity.  

Instead of presenting products in a straightforward manner, this project takes creative risks by expressing each product with its own unique language and form, allowing for an artistic interpretation that plays with light and shadow. The integration of architectural elements with an artistic approach creates a dynamic environment that engages visitors in a meaningful way.  

This blend of innovative design thinking and artistic expression likely resonated with the judges, highlighting how we can redefine retail spaces to be more immersive and experiential. The showroom is not just a place to view products but a thoughtfully curated journey that invites exploration and appreciation of the materials and their artistic potential.

WOSA Sintered Stone Showroom, The Volks Design Research & Consulting Ltd.

WOSA Sintered Stone Showroom, The Volks Design Research & Consulting Ltd.

Looking forward, how do you see showrooms evolving in the interior design industry? What might retail spaces need to do to stay innovative and relevant?  

As AI and technology-driven selling platforms continue to advance,  consumer spending habits are changing dramatically. Future showrooms will need to evolve from mere display spaces into environments that offer enjoyment, leisure, and opportunities for gathering. They may even transform into public spaces that foster community engagement.  

Innovation will be essential for retail spaces to remain relevant. This innovation will likely stem from diversity, cross-disciplinary collaboration, and a willingness to experiment. Retail environments must deliver experiences that exceed customer expectations, creating a sense of discovery and engagement.  

By integrating interactive elements, immersive design, and a focus on customer experience, showrooms can become destinations in their own right. This shift will not only enhance the retail experience but also position these spaces as vital contributors to the cultural and social fabric of their communities. Ultimately, the key will be to create environments that resonate with customers on multiple levels, making them feel valued and connected.  

 

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Blending harmoniously into the surrounding Leoganger Steinberge mountain range, ATMOSPHERE by Krallerhof creates a year-round space for relaxation and regeneration. Designed by Hadi Teherani Architects, this adult-exclusive spa builds on the tradition of luxury accommodation at Hotel Krallerhof, a five-star retreat opened by the Altenberger family in 1956.

Winner of the Architectural Design of the Year at the BLT Built Design Awards, ATMOSPHERE showcases the power of sustainable materials in modern architecture. Its terraces, crafted from Kebony wood, embody the project’s dedication to blending beauty, functionality, and environmental responsibility.

In this interview, Marvin Uwe Grawe, Objects Consultant Architecture for Kebony, shares insights into the challenges of designing for an alpine environment and how the project sets a new standard for sustainable wellness design.

Marvin Uwe Grawe, Objects Consultant Architecture for Kebony // ATMOSPHERE by Krallerhof, HGEsch Photography.

Marvin Uwe Grawe, Objects Consultant Architecture for Kebony // ATMOSPHERE by Krallerhof, HGEsch Photography.

The terrace areas of ATMOSPHERE are a central element of its design. In your opinion, what makes Kebony wood the perfect choice for this award-winning space?

Kebony wood meets the high demands of modern architecture in terms of durability and aesthetics with exceptional results. Its warm, natural appearance complements ATMOSPHERE’s contemporary design while seamlessly blending into the alpine landscape. 

Looking at the material requirements of ATMOSPHERE’s terrace, most outdoor pools are used during the hottest months when materials like stone and concrete can become uncomfortably hot and slippery, posing a risk of falls. A wooden pool deck offers a safer, more comfortable alternative, staying cooler under the sun and providing a soft, non-slip surface for walking by the water.

During the freezing months of Austria, however, the outdoor facilities at ATMOSPHERE come under different stresses, with sub-zero temperatures turning surface water to ice and putting the decking under conditions where other wooden materials may splinter and risk harm to guests.

In this context, a quality and unique decking solution was required; Kebony was perfectly placed to help fulfill these needs and the overarching vision for this world-leading project. 

The terrace is exposed to constant moisture, sunlight, and even snow at times. How did you ensure that Kebony wood retains its quality and beauty in such a challenging environment?

Kebony’s bio-based Dual Modification™ technology permanently transformed the cell walls of the wood decking by forming locked-in furan polymers, increasing the dimensional stability, durability, and hardness of the wood. The reaction with OH-groups present in the wood reduces the water sensitivity significantly, making Kebony wood decking resistant to 24/7 exposure next to the pool and the seasonal vagrancies of the weather, therefore guaranteeing a high degree of safety. 

The added resistance given by the dual modification™ process also means the Kebony decking requires little to no maintenance following installation, bypassing the need for any extended periods of ATMOSPHERE’s closure to treat the decking. For a project like ATMOSPHERE, this means the terrace remains durable under the harshest conditions while developing an elegant silver-grey patina over time, creating aesthetic harmony with the alpine surroundings.

Header: ATMOSPHERE by Krallerhof by Hadi Teherani Architects. Construction Company: Kebony (Decking). Architectural Design of the Year. Photographer Credit: HGEsch Photography.

ATMOSPHERE by Krallerhof, HGEsch Photography.

What unique challenges or surprises did Kebony face while working on ATMOSPHERE, and how did you address them?

The greatest challenge was the extreme weather conditions of the alpine location. The material needed to endure harsh climatic stress while also meeting the project’s modern and sophisticated design requirements. To achieve this, we conducted material testing on-site and collaborated closely with Hadi Teherani Architects to identify the best technical and aesthetic solutions. Kebony’s flexibility and versatility allowed us to create a solution that is both functional and visually compelling, even in the most demanding conditions.

The spa is set against the stunning backdrop of the Leoganger Steinberge. How did Kebony ensure that the terrace harmonizes with this landscape?

Kebony wood is valued by architects for its ability to appear as a natural extension of its surroundings. Its capacity to age into an elegant silver-grey patina allows it to blend seamlessly into the alpine setting. For projects like ATMOSPHERE and other large-scale Kebony projects in snowy regions, such as the Lillehammer Winter Youth Olympic Games student village, the wood achieves the perfect balance between architectural elegance and natural beauty without overshadowing the environment—offering architects the freedom to harmonize architecture and landscape. These properties made Kebony the ideal material for ATMOSPHERE to seamlessly blend with the Leoganger Steinberge mountains, as the peaks both rise over ATMOSPHERE and reflect off the water’s surface. 

ATMOSPHERE by Krallerhof, HGEsch Photography.

ATMOSPHERE by Krallerhof, HGEsch Photography.

How has Kebony’s technology and material sourcing contributed to reducing the environmental impact of this project?

Kebony is a pioneer in paving the way for healthy architecture and a greener, more sustainable future for the global construction industry. Developed to address the dual issue of deforestation and carbon emissions in construction, Kebony’s dual modification™ technology transforms sustainably sourced FSC-certified softwoods into durable and aesthetically beautiful timber products with the same, and in some cases superior, properties as endangered tropical hardwood species.  This supply of environmentally friendly building materials that match quality with sustainability helps to alleviate the deforestation of the planet’s precious rainforest habitats and carbon sinks, such as the Amazon.

Additionally, Kebony’s versatility extends beyond terraces to façades, urban furniture, and even interiors. This adaptability enables architects to incorporate sustainable materials across various applications, making a meaningful contribution to eco-conscious architecture.

Hadi Teherani Architects worked alongside Kebony on the design of ATMOSPHERE. How did this collaboration influence the final result?

It is through the exciting collaboration with Hadi Teherani Architects that we are proud to see the Kebony decking on one of the largest scales of any project in the world. The collaboration was an outstanding example of how innovation and partnership can achieve remarkable outcomes. 

What we found particularly remarkable about this project was that sustainability wasn’t just an empty buzzword but a genuine priority from start to finish. The architect’s vision required a material that was not only technically advanced but also supported the aesthetic of a modern spa in an alpine setting. 

As Kebony’s architectural advisor, I (Marvin) worked closely with the team to ensure our materials were seamlessly integrated into the design. The result is a space where architecture, nature, and sustainability come together perfectly—a testament to the importance of early collaboration between architects and material experts

Congratulations on winning the BLT Award for “Architectural Design of the Year”! Do you believe this recognition will open new opportunities for Kebony in the wellness and hospitality industry?

Thank you! This award underscores the significance of sustainable materials like Kebony in the architecture of the future—especially in the premium wellness and hospitality sectors. It serves as an encouragement for architects to utilize Kebony in projects that combine durability, sustainability, and aesthetics.

With the growing appearance of new, luxury wellness facilities worldwide built to take advantage of the calming beauty of nature, Kebony wood’s effortless ability to blend in with spectacular natural landscapes positions it as the perfect material for further high-end wellness and hospitality projects across the globe.

What lessons has Kebony learned from this project, and how might these influence your approach to future projects?

ATMOSPHERE highlighted the importance of involving architects early in the material selection process to fully support their design vision. The close collaboration with Hadi Teherani Architects demonstrated that Kebony is ideal, not just for terraces but also for façades, urban furniture, and interiors—areas where design and sustainability must work hand in hand.

For future projects, we will leverage these insights to make Kebony even more adaptable and purpose-driven. We look forward to continuing to provide architects with innovative, sustainable solutions that bring their creative concepts to life.

 

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Chatchanin Sung is the Executive Director and Landscape Studio Director at Arsomsilp Community and Environmental Architect. As a leading female figure in the field, she has profoundly impacted urban design by blending ecological principles with creative architecture. One of her firm’s most celebrated achievements is the transformation of Benjakitti Forest Park in Bangkok, which earned the prestigious Landscape Architecture of the Year 2024 title at the BLT Built Design Awards.

This remarkable project, developed on the site of a former tobacco factory, spans 720,000 square meters. Benjakitti Forest Park addresses flooding and drought issues but also serves as a biodiverse habitat, offering educational opportunities in ecology, hydrology, and sustainable urban development. The design, led by Arsomsilp Community and Environmental Architect in collaboration with TURENSCAPE as the design consultant, employs nature-based solutions inspired by traditional Thai agricultural wisdom, with the park’s “sponge” concept playing a crucial role in absorbing and releasing water, ensuring the park’s vitality year-round.

In this interview, Chatchanin reflects on the creative and technical challenges of transforming the site, the park’s innovative design elements, and the broader lessons that can be applied to urban projects in dense cities. She shares her insights on how Benjakitti Forest Park represents a model for sustainable urban development and her hopes for its future impact on Bangkok and beyond.

Royal Thai Army - 1st Development Division, Sarakadee Magazine, Mr.Srirath Somsawat

Royal Thai Army – 1st Development Division, Sarakadee Magazine, Mr.Srirath Somsawat

What were some of the biggest challenges you faced when transforming the site, and how did you overcome them?

The biggest challenge was aligning all stakeholders to a shared vision of using the nature-based solution since the initial design for the design competition. Convincing them that this approach is not only feasible but transformative.  

Every stage of the process, from design to construction, came with challenges since the concept was new for the entire team. We overcame these challenges by sharing a common goal and working together with experts across fields, from engineers to urban forest experts to local wisdom, to solve problems. To ensure the design’s feasibility, we conducted tests and experiments, including mock-ups and trials of the wetland and natural water filtration system. These tests ensured the wetland’s efficiency in producing clean water, enabling us to realize the concept as planned.

Can you tell us more about the park’s “sponge” concept and how it is effective in an urban environment? How does it meet the specific environmental needs of Bangkok?

Bangkok faces unique urban challenges, including high water tables, being below sea level, and extensive hardscaping, which leads to flooding during rainfall. The sponge concept at Benjakitti Forest Park addresses these issues by absorbing and retaining stormwater, which helps reduce urban flooding.

The park’s design allows water to seep into the ground, functioning as a natural reservoir and stored in the main ponds. The water reservoir is discharged during the dry season, helping to maintain the trees in the park, allowing low maintenance as well as helping cool the surrounding environment during the dry season, counteracting the heat generated by the city’s concrete surfaces. 

How did you approach incorporating the park’s old industrial structures into the new design, especially in relation to how trees and plant life interact with these elements?

Our approach was rooted in respect for the site’s history and natural resources. All the existing trees, which are the site’s most valuable assets, were carefully preserved and revitalized. The old industrial structures were also maintained and renovated for new purposes, making them functional and meaningful while encouraging visitors to engage with the park.

New design elements were then added to complement these existing features, making the park more functional with engaging activities for visitors. This blend of old and new created a space that honors its past while serving the community in the present.

How did you balance creating a space that supports the park’s diverse plants and wildlife while also making it accessible and enjoyable for the public?

Our goal was to balance ecological preservation with accessibility by creating zones with varying levels of access.  The wildlife sanctuaries are designated as habitats for birds and other wildlife; human access is limited to observation only. Human functional spaces feature open spaces under tree shades, accessible pocket spaces integrated into nature, and inclusive spaces for all.

This zoning ensures that humans and wildlife can coexist, with each respecting the other’s space. The park’s biodiversity, with visits from over 169 bird species, attracts nature enthusiasts, fostering a deeper appreciation for the environment while creating a vibrant community space.

Royal Thai Army - 1st Development Division, Sarakadee Magazine, Mr.Srirath Somsawat

Royal Thai Army – 1st Development Division, Sarakadee Magazine, Mr.Srirath Somsawat

What lessons from this project do you think can be applied to other urban design projects, particularly in dense cities with limited green space?

This project demonstrated that nature-based solutions are a sustainable and effective approach to urban planning, even in densely populated cities. We have seen the importance of incorporating water management systems like wetlands, reservoirs, and permeable surfaces to reduce flooding and test their efficiency. Expanding green spaces beyond ground-level parks to include green roofs and vertical gardens. Renovating existing structures for new uses (adaptive reuse) rather than defaulting to new construction. Using nature-based solutions also ensures budgetary designs and low maintenance needed in the long run.

These strategies not only address urban challenges but also create resilient, multifunctional spaces that benefit both people and the environment.

What do you believe made this project stand out in the BLT Awards, winning the “Landscape Architecture of the Year” title?

The project’s nature-based solution approach stood out for its ability to harmonize human activity with ecological preservation. Benjakitti Forest Park is a central urban park where wildlife, including over 169 bird species, coexist with city life.

Benjakitti Forest Park engages with the planning, design, and regulations that demonstrate a commitment to sustainable design and construction that leads to a model of sustainable urban development whilst creating a space safe for the community and its wildlife. 

What are your hopes for how “Benjakitti Forest Park” will evolve over the years and influence future generations in Bangkok?

We hope Benjakitti Forest Park becomes an open, biodiverse classroom for all. Become a learning space for children to connect with nature, a research hub for experts and nature enthusiasts studying biodiversity and urban ecology, and a resource for the public to learn how to coexist with diverse wildlife.

Benjakitti Forest Park shows people the transformative power of sustainable urban development. Our vision is for the park to inspire future urban planning projects to embrace nature-based solutions, adapting local knowledge to create sustainable designs. We aim for it to be a living example of how urban spaces can integrate nature to address environmental challenges while fostering community and education.

Royal Thai Army - 1st Development Division, Sarakadee Magazine, Mr.Srirath Somsawat

Royal Thai Army – 1st Development Division, Sarakadee Magazine, Mr.Srirath Somsawat

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In this exclusive interview with Wilson Edgar and Michael Leckie, the lead designers behind The Backcountry Hut Company, we discuss their work with System 02, which recently won the “Construction Product Design of the Year” award at the 2024 BLT Built Design Awards. This two-story prefabricated structure has changed the way cabins are built in remote locations, offering a more efficient and sustainable approach to traditional building processes.

Wilson and Michael’s journey to founding The Backcountry Hut Company is rooted in their shared passion for the outdoors and design. Wilson, with his deep ties to the outdoor community in the Pacific Northwest, has always sought ways to connect people to nature through practical and sustainable design. Michael, an architect with a background in award-winning modernist design, brings a minimalist and highly functional perspective to the company’s vision. Together, they set out to create a prefabricated modular shelter that combines practicality with aesthetic appeal, aimed at improving the building process, particularly for remote and off-the-grid locations.

In this interview, Wilson and Michael share the challenges they noticed in traditional building processes and how System 02 addresses them. They also discuss the balance between aesthetic appeal and practicality in the cabin’s design, the sustainable materials they chose, and how they ensured stability and durability across diverse terrains and climates. They also explore popular customization options for clients and the potential for even faster assembly times.

Winning the prestigious BLT Built Design Award for “Construction Product Design of the Year” is a significant achievement for The Backcountry Hut Company, and Wilson and Michael reflect on what this recognition means for their team and the future of their projects. This conversation provides a closer look at their design philosophy and the impact of their work on the future of modular construction.

Michael Leckie and Wilson Edgar, Photo Credit: Jane Thomson.

Michael Leckie and Wilson Edgar, Photo Credit: Jane Thomson.

What were the challenges you noticed in traditional building processes that led you to create System 02? How have you addressed them? 

Prefabrication is not just the way of the future, it’s actually the way of the present.  Conventional building practices suffer from unnecessary waste, redundancy, and uncertainty in both cost and schedule. Moreover, conventional building methods are particularly problematic for remote sites due to the challenges of getting workers to and from the site and the lack of easy access to supplies, tools, and machinery. We’ve seen a premium in building costs for remote sites that can be as much as 30-40% higher compared with a similar urban build, and they typically take much longer to execute.

The Backcountry Hut Company streamlines this process with architecturally designed, pre-engineered products that utilize a highly coordinated component-based methodology. Clients can receive initial drawings within two weeks, drastically reducing planning time. The flat-packed kit simplifies construction on site, drastically reducing the time required on-site. Our homes are similar to architectural custom homes in terms of quality, materiality, and detailing –  delivered at a fraction of the cost, with certainty and reliability.

How did you achieve a balance between aesthetic appeal and practicality in the cabin’s final look and feel? 

In terms of both aesthetics and construction techniques, our designs are modern interpretations of traditional ideas and methods. The designs for the backcountry hut structures were inspired by traditional alpine and backcountry cabins. The methodology for assembling the component-based systems was intended to be an evolution of traditional community barn-raising techniques. We follow the ‘Less But Better’ ethos of legendary Austrian designer Dieter Rams. Our architectural products are essentialist in nature – aesthetically refined and highly functional.

Photo: The Backcountry Hut Company

Photo: The Backcountry Hut Company

Can you walk us through some of the specific materials you chose and explain why they are critical to the design? 

Our structures are in a league of their own. They are highly architectural and relate more closely to a custom architectural home than any other prefabricated structure in their class. The foundation of our cabin systems is an engineered wood timber frame structure – it’s structurally robust and architecturally striking and flows seamlessly from interior to exterior. We use Canadian-made solid wood windows clad in metal on the exterior for durability. Our standard cladding is metal, providing excellent durability for remote locations, in addition to providing resistance to forest fires which is an ongoing consideration in any of our top markets. Our components are all fabricated in Canada.

 In designing System 02, what considerations did you make to keep it stable and durable across diverse terrains and climates? 

Both System 01 and System 02 are designed for exceptional adaptability across diverse sites, climates, and use cases. Their customizable features, including overall size, window placement, and deck location, make them ideal for sloping terrains and properties with unique views.

To ensure stability and durability, the structures are engineered to accommodate varying snow loads and can be adapted to meet specific energy efficiency requirements. These features, combined with robust materials and precision-engineered components, allow the systems to perform reliably in a wide range of environmental conditions.

In designing System 02, we prioritized adaptability to accommodate the diverse climate zones across Canada and the USA, ensuring it performs effectively in varied environments.

Given the modular nature of System 02, what kinds of customization options are the most popular with clients so far? Do you see the design becoming even more flexible in the future?

The full-height glass wall at the end of the cabins is the most popular feature. The  ‘covered deck’ module is also very popular – providing shelter from rain and snow while extending the living space out into the landscape. We have many inquiries about an operable glass wall extending along the long side of the cabin, and we have protoyped this – and will be adding it to our catalog as a standard in 2025. We have also just introduced the Bridge – an adaptable solution that allows homeowners to unite two separate BHC structures into a single, larger home,  offering flexibility and scalability for the end user. Built with the same craftsmanship and sustainable practices that define BHC’s prefabricated systems, the Bridge complements existing designs while enhancing overall usability and flow.

The new bridge element allows clients to connect multiple Backcountry Hut structures together in a manner that maintains the compact form and architectural rigour of the original structures, while also accommodating larger programs with additional bedrooms and living spaces. It also provides hut owners with a straightforward solution for a future addition to their projects. 
– Michael Leckie. Co-Founder, Architect AIBC OAA AAA NSAA 
Photo: The Backcountry Hut Company

Photo: The Backcountry Hut Company

System 02’s 4-6 week assembly time is impressively short compared to traditional construction methods, especially for a two-story structure. Do you think there’s any room to make the process even faster? 

The on-site assembly for a System 02 hut can be done in as little as 10 days. The bottleneck in a project is almost never the assembly of the hut system, but rather the permitting and site preparation. Having said that, we are now manufacturing larger panels, which will reduce assembly time even more.

With over 25 installations, are there any particular site locations where System 02 has stood out in performance or aesthetic fit? Can you tell us about some of the feedback you’ve received? 

We ask for feedback on all projects, and we always receive thoughtful comments on how we can improve from all parties associated with our different projects, and from that, we have continually enhanced our services and products since we delivered our initial flat-pack kit of parts to our first client.

What does winning the BLT “Construction Product Design of the  Year” Award mean for The Backcountry Hut Company? Do you think winning this award will have an impact on your future projects? 

Recognition with BLT’s Construction Product Design of the Year Award is an enormous honor for our team. It is one of many awards that our systems have received over the years, but it is particularly special because it recognizes not only the ‘design’ but also the notion of our systems as ‘construction products’ – i.e., celebrating the efficiencies of rigorous industrial design techniques and manufacturing processes to revolutionize construction at the scale of an entire home. We will continue to refine and develop our systems, offering our clients a better way to build, offering homes that are architectural in nature.  

 

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In the scenic Songyang region of Zhejiang Province, China, a humble rural building has been transformed into Timber & Table, a restaurant that beautifully blends rustic charm with modern comfort. The project, led by Luxi Chen, a graduate from the University of California, Berkeley, shows her dedication to sustainable design and honoring the past while embracing the needs of today.

Using reclaimed materials and thoughtful design, Luxi preserved the building’s original character while adding subtle modern touches. Her work on Timber & Table earned her the title of “Emerging Architect of the Year” at the BLT Built Design Awards, celebrating her innovative approach and bright future in architecture.

In this interview, Luxi shares the story behind Timber & Table, the challenges she faced as a student architect, and her thoughts on the future of sustainable design. Let’s dive into her inspiring journey.

Luxi Chen
Luxi Chen

Can you walk us through the vision behind Timber & Table? How did you manage to balance the rustic, rural aesthetic with the modern comforts that clients expect today?

The vision behind Timber & Table was to celebrate the beauty of vernacular architecture while creating a space that feels both authentic and functional for modern users. I wanted to preserve the rustic charm of the original structure while subtly integrating modern amenities and comforts. This balance was achieved through careful material selection—using reclaimed wood and stone for their aesthetic and historical resonance—and introducing understated modern interventions, like discreet lighting and efficient insulation, that enhance comfort without overshadowing the original character.

What specific choices in materials or construction methods did you make to ensure the design remained environmentally responsible?

Environmental responsibility was a guiding principle throughout the project. I prioritized the use of reclaimed materials, such as salvaged timber and locally sourced stone, to minimize the carbon footprint. Additionally, I incorporated passive design strategies, such as natural ventilation and solar shading, to reduce energy consumption. The construction methods focused on retaining as much of the original structure as possible, reducing the need for new materials and preserving the embodied energy of the building.

As a student, what unique challenges did you face during this project that perhaps a professional wouldn’t encounter? Do you think being a student offered you more advantages or disadvantages?

One significant challenge was the limited access to resources and expertise that professionals often have. For example, sourcing materials and managing construction details required more research and initiative. However, being a student also brought advantages: I had the freedom to experiment and push creative boundaries without the constraints of commercial expectations. This duality allowed me to approach the project with a fresh perspective and a strong sense of curiosity.

Timber & Table, photo: YanXiaSanYue

Timber & Table, photo: YanXiaSanYue

What do you think are the most important considerations when renovating and adapting historic or rural buildings for modern use?

The key considerations include respecting the historical integrity of the building, ensuring structural safety, and addressing the needs of modern users. It’s essential to deeply understand the cultural and historical context of the structure while carefully integrating contemporary elements that enhance functionality without compromising authenticity. Sustainability and adaptability are also crucial to ensure the building remains relevant and environmentally responsible for years to come.

What drew you to explore more traditional and natural aesthetics, and do you see yourself exploring these same styles in the future?

I’ve always been inspired by the timeless beauty and craftsmanship of traditional architecture. There’s a sense of rootedness and authenticity in natural aesthetics that resonates deeply with me. This project reaffirmed my appreciation for these elements, and I see myself continuing to explore them in future work. However, I’m also keen on finding innovative ways to merge traditional aesthetics with contemporary design practices.

As you continue your studies, how has the experience of designing Timber & Table shaped your approach to architecture and design? Did you get any insight that truly changed something in you?

This experience taught me the value of storytelling in design. Every material, form, and detail contributes to a narrative that connects people to a space. I also learned the importance of adaptability—how to respond to challenges with creativity and resourcefulness. It reinforced my belief that design can be a powerful tool for bridging the past and future, a perspective that has profoundly influenced my approach to architecture.

Timber & Table, photo: YanXiaSanYue

Timber & Table

How did it feel to be recognized by the BLT Awards as the “Emerging Architect of the Year”? Did this recognition impact your vision or goals for your future?

Being recognized as the “Emerging Architect of the Year” was an incredible honor and a moment of validation for my work. It has inspired me to pursue my goals with even greater determination and confidence. The recognition also reinforced my commitment to sustainable and context-sensitive design, encouraging me to continue exploring how architecture can positively impact communities and the environment.

Reflecting on your work with Timber & Table, how do you think sustainable design can evolve in the future?

Sustainable design has immense potential to evolve through advancements in technology and a deeper understanding of local contexts. I believe the future lies in integrating traditional building practices with modern innovations, such as smart materials and renewable energy systems. Emphasizing circular design principles—where materials are reused and buildings are designed for adaptability—can help create spaces that are not only sustainable but also resilient and enduring.

The renowned 3C Group has officially opened submissions for the fifth edition of the BLT Built Design Awards. These awards aim to acknowledge the expertise of professionals engaged in the realization of exceptional projects on a global scale, encompassing architectural firms, interior designers, landscape studios, and construction product innovators. The program is open to professional, emerging designers and students until September 10th, 2025, promising to attract entries from some of the most forward-thinking firms from all around the world!

In 2024, the awards received over 800 submissions from 57 countries, showcasing the astonishing range and quality of projects. The top winners included Architectural Design of the Year, which was awarded to ATMOSPHERE by Krallerhof, Germany, a standout project by Hadi Teherani ArchitectsWOSA Sintered Stone Showroom in Macau, created by The Volks Design Research & Consulting Ltd., claimed Interior Design of the Year. In Landscape ArchitectureBenjakitti Forest Park in Thailand, by Arsomsilp Community and Environmental Architect + TURENSCAPE, received top honors, and System 02 by The Backcountry Hut Company from Canada took Construction Product Design of the Year.

Co-founder and Program Director, Astrid Hébert, said, “With a record number of submissions this year, it’s clear that the talent in architecture and construction is stronger than ever. A huge thank you to everyone who entered—your creativity is truly inspiring! We can’t wait to celebrate the 2024 and 2025 winners at our grand ceremony in late 2025, and we invite all of you to submit again in 2025. The future of design is in your hands, and we’re excited to see what you’ll create next!

The 2025 jury, comprising experienced architects, designers, developers, academics, and media representatives, will select the winners in each category in October next year. Past jurors have included renowned professionals from around the world, such as Rudi Stouffs, Dean’s Chair Associate Professor and Assistant Dean (Research) at the Department of Architecture, College of Design and Engineering, National University of Singapore; Osaru Alile, Principal Partner at CC Interiors StudioPal Pang, Chief Creative Officer at Another Design InternationalJuliet Kavishe, Executive Board Member of the Pan Afrikan Design Institute (PADI) and Vice President of the International Council of Design (ICoD); Nicolas Sterling, Co-founder and Director of STERLING PRESSER Architects+EngineersSandra Baggerman, Architect and Tutor at Trahan ArchitectsDes Laubscher, Co-Founder and CEO of Greenside Design Center, College of DesignSerhii Makhno, Founder and Owner of MAKHNO StudioMohammad Ghaffari, Architect and Designer at Ghaffari Design StudioHannah Churchill, Founder and Design Director of hcreates interior designBrett Rhode, Founding Director of Rhode PartnersStanislas Helou, Founder of Thinking LuxurySonsoles Vela Navarro, Founding-Partner of studioVRA and Associate Director of the Architectural Program at Tulane UniversityEason Zhu, Founder and Design Director of Fununit Design; and Ruben Garcia Rubio, Founding Partner of studioVRA and Assistant Professor of Architecture and Urbanism at Tulane University.

Winning a BLT Built Design Award is a highly-recognized badge of excellence within the design, construction, and architectural industries. This accolade sets companies apart, positioning their projects as leaders in innovation and design. The BLT Built Design Awards offers four core programs: ArchitectureInterior DesignLandscape Architecture, and Construction Product Design. This broad scope allows companies from all corners of the globe to showcase their exceptional work, regardless of location.

Register now to be a part of this exciting opportunity and take advantage of the early bird discount of 10% for registrations made before April 30th. Don’t miss out – visit bltawards.com for more information and to register.

Cheng-Wei Lee, winner of the “Emerging Landscape Architect of the Year” title at the BLT Built Design Awards 2024, presents his experimental project Exoskeletons. This project delves into the structural and morphological principles of arthropod exoskeletons as a source of inspiration for new construction methods in landscape architecture. A Bartlett School of Architecture graduate at UCL, Cheng-Wei combines advancements in additive manufacturing with bio-inspired computational design to create efficient and adaptable structures.

In this interview, Cheng-Wei discusses the design process behind Exoskeletons, including developing a custom algorithmic workflow that optimizes material efficiency by responding to load and strain levels. Join us as we explore the innovative ideas behind this award-winning project.

Cheng-Wei Lee

Cheng-Wei Lee, Exoskeletons

What inspired you to use arthropod exoskeletons as a model, and how did you translate their structural principles into architectural form?

I’ve always been fascinated by efficient and topology-optimized structures in nature. Their ability to optimize strength while minimizing material use inspired me to investigate how similar principles could translate into architecture. By studying their load distribution and geometry, I developed a procedural design computational workflow to simulate and replicate these characteristics in structural forms.

How does the load-responsive process in Exoskeletons work to adapt the structure’s density and orientation to strain levels? What benefits does this bring?

The load-responsive process involves simulating strain levels across the structure and adjusting the density and orientation of its elements accordingly. This ensures material is allocated where needed most, enhancing strength and efficiency. The benefits include reduced material waste, optimized structural performance, and a visually dynamic result that reflects the forces it supports.

What was your approach to balancing aesthetics and structural efficiency? Were there specific areas where you had to compromise to maintain a visually engaging design?

Achieving harmony between aesthetics and efficiency was one of the most rewarding challenges. I prioritized structural logic as the foundation but ensured the patterns and forms remained visually compelling. There were moments of compromise, especially when balancing intricate designs with structural constraints, but these moments also led to creative breakthroughs.

Interview with Cheng-Wei Lee: Exploring Bio-Inspired Innovation with "Exoskeletons" – Emerging Landscape Architect of the Year

Could you walk us through some of the key challenges you faced in developing your custom algorithm and how you managed to solve them?

Developing the custom procedural design required solving complex problems related to scalability and precision. Early iterations struggled to balance computational optimization iterations with accuracy. This work was inspired and guided by architectural design prospect research at The Bartlett School of Architecture. I extend my deepest gratitude to Professor Kostas Grigoriadis, whose profound expertise in topology optimization has been instrumental in shaping my approach. My heartfelt thanks also go to my skill tutor, Samuel Esses, for his invaluable guidance in mastering Houdini and integrating it with material distribution techniques for this project. Their mentorship and support have been crucial to this achievement.

As someone working with additive manufacturing and bio-inspired computational design, how do you see these technologies influencing the future of landscape architecture?

I see additive manufacturing and bio-inspired computational design revolutionizing how we approach landscape architecture. These technologies allow for hyper-localized, sustainable designs that adapt to environmental and cultural contexts, transforming how we think about both form and function in natural spaces.

Interview with Cheng-Wei Lee: Exploring Bio-Inspired Innovation with "Exoskeletons" – Emerging Landscape Architect of the Year

Congratulations on winning the BLT Awards “Emerging Landscape Architect of the Year” prize! Has this recognition shaped your goals and approach to your studies and future career?

Winning the BLT Built Design Award has been an incredible honor. It has motivated me to push further in exploring innovative intersections of technology, nature, and design. It has reinforced my commitment to combining research with practical applications in my studies and future career.

Do you plan to continue exploring bio-inspired structures in future projects? What do you want your future as a designer to look like?

Absolutely, I plan to continue exploring bio-inspired structures in future projects. My goal is to create designs that are not only functional but also embody the intelligence and beauty of natural systems. I envision a future where my work bridges cutting-edge technology with sustainable, impactful design.

 

VIEW ALL WINNERS.

Talented Sonal Aggarwal, a rising star in interior design, has captivated the design world with her boundary-pushing approach to spatial and sensory design. Her award-winning project, a flagship store that fuses the avant-garde fashion of Yohji Yamamoto with the deconstructivism of Lebbeus Woods and the ethereal qualities of the California Light and Space movement, has garnered the “Emerging Interior Designer of the Year” title at the BLT Built Design Awards 2024. As a New York School of Interior Design graduate and a Lead Designer at Sasaki, Sonal brings a unique vision that challenges conventional design, blending art, culture, and functionality. In this exclusive interview, Sonal shares the story behind her winning project, the challenges of merging contrasting design influences, and her aspirations for the future of design.

Talented Sonal Aggarwal, a rising star in interior design, has captivated the design world with her boundary-pushing approach to spatial and sensory design. Her award-winning project, a flagship store that fuses the avant-garde fashion of Yohji Yamamoto with the deconstructivism of Lebbeus Woods and the ethereal qualities of the California Light and Space movement, has garnered the "Emerging Interior Designer of the Year" title at the BLT Built Design Awards 2024. As a New York School of Interior Design graduate and a Lead Designer at Sasaki, Sonal brings a unique vision that challenges conventional design, blending art, culture, and functionality. In this exclusive interview, Sonal shares the story behind her winning project, the challenges of merging contrasting design influences, and her aspirations for the future of design.1. Could you tell us about the vision behind your project for the BLT Awards? How did you land on the idea of blending Yohji Yamamoto, Lebbeus Woods, and the California Light and Space movement? The vision for my project was to create a flagship store that encapsulates the philosophy of Yohji Yamamoto while pushing the boundaries of spatial and sensory design. Yohji Yamamoto’s avant-garde fashion inspired me to explore unconventional narratives in architecture. By merging the deconstructivist ethos of Lebbeus Woods with the ethereal qualities of the California Light and Space movement, I aimed to craft a space that challenges perceptions, plays with layers of light, celebrates asymmetry, and pays homage to Yamamoto’s artistry. 2. How did you approach balancing deconstructivism and asymmetry to create a space that feels both avant-garde and inviting to customers? Balancing deconstructivism with functionality required a focus on human interaction. I deconstructed traditional retail layouts to emphasize an organic flow, using asymmetry to guide movement and create moments of intrigue for the user experience to evoke brand awareness. Inviting textures and ambient lighting softened the bold architectural forms, making the space approachable while retaining its avant-garde essence unique to the location and brand competitors.  3. What drew you towards a monochromatic palette inspired by film noir, and how do you think it enhances the overall experience for art-conscious clients? The monochromatic palette was a deliberate choice to echo the timeless and dramatic qualities of film noir of YY advertisements. By limiting distractions, this palette amplifies the interplay of shadows, textures, and light, which creates an immersive environment for art-conscious clients. It mirrors Yamamoto’s preference for understated elegance and rebellious silhouette-inspired clothing and allows the merchandise to remain the focal point. 4. Your project integrates elements from both Japanese and Western traditions. What were some of the challenges you encountered in merging these influences? Integrating Japanese minimalism with Western deconstructivism was an intricate process. Japanese design emphasizes restraint and harmony, while Western deconstructivism celebrates bold, fragmented forms. The challenge was to fuse these seemingly opposing approaches into a cohesive narrative. I used lighting, open space planning, forms, and materials as unifying elements, allowing both traditions to coexist and complement each other. This idea also helped conceptualize the cross-visual relationships within the store.  5. Many of your design references focus on the interaction between space, light, and human perception. What role does this play in your design, and how did you adapt it to Yohji Yamamoto’s brand? Space, light, and human perception are integral to my design philosophy. For this project, I used these elements to create a dynamic interplay between the tangible and intangible, reflecting Yohji Yamamoto’s exploration of contrasts. Strategically placed light accents evoke fluidity, while the space’s fragmented geometry challenges conventional retail experiences, aligning with Yamamoto’s brand ethos. 6. As a student at the New York School of Interior Design, how did your educational background and experience prepare you for this project? My education at NYSID provided me with a strong foundation in spatial theory and technical skills. The program’s emphasis on practical learning and conceptual thinking empowered me to approach design holistically. Explorations and design techniques during my time at NYSID sharpened my ability to merge innovation with practicality, which was critical for this project. 7. Congratulations on winning the “Emerging Interior Designer of the Year” at the BLT Awards! How do you envision this recognition impacting your career, and what do you hope to explore next? Winning this award is an incredible honor and a testament to my commitment to pushing design boundaries. It inspires me to continue creating spaces that resonate emotionally and challenges the norm. Moving forward, I hope to delve deeper into sustainable design practices and explore projects that integrate technology with human-centric design. User experience has always been the center of my design learning and I envision exploring more and pushing the boundaries of built environments and it’s impact on human psychology and environment.  8. How do you plan to continue evolving your style in design? What does the future hold for you? Design is a journey of constant discovery, and I aim to stay curious and experimental. My goal is to refine my storytelling through spaces, integrating cultural narratives, innovative materials, and cutting-edge technology. I envision a future where my work contributes to both aesthetic and societal progress, bridging art and functionality seamlessly.

Sonal Aggarwal, Yohji Yamamoto New York City Flagship Store

Could you tell us about the vision behind your project for the BLT Awards? How did you land on the idea of blending Yohji Yamamoto, Lebbeus Woods, and the California Light and Space movement?

The vision for my project was to create a flagship store that encapsulates the philosophy of Yohji Yamamoto while pushing the boundaries of spatial and sensory design. Yohji Yamamoto’s avant-garde fashion inspired me to explore unconventional narratives in architecture. By merging the deconstructivist ethos of Lebbeus Woods with the ethereal qualities of the California Light and Space movement, I aimed to craft a space that challenges perceptions, plays with layers of light, celebrates asymmetry, and pays homage to Yamamoto’s artistry.

How did you approach balancing deconstructivism and asymmetry to create a space that feels both avant-garde and inviting to customers?

Balancing deconstructivism with functionality required a focus on human interaction. I deconstructed traditional retail layouts to emphasize an organic flow, using asymmetry to guide movement and create moments of intrigue for the user experience to evoke brand awareness. Inviting textures and ambient lighting softened the bold architectural forms, making the space approachable while retaining its avant-garde essence unique to the location and brand competitors.

What drew you towards a monochromatic palette inspired by film noir, and how do you think it enhances the overall experience for art-conscious clients?

The monochromatic palette was a deliberate choice to echo the timeless and dramatic qualities of film noir of YY advertisements. By limiting distractions, this palette amplifies the interplay of shadows, textures, and light, which creates an immersive environment for art-conscious clients. It mirrors Yamamoto’s preference for understated elegance and rebellious silhouette-inspired clothing and allows the merchandise to remain the focal point.

Yohji Yamamoto New York City Flagship Store

Yohji Yamamoto New York City Flagship Store

Your project integrates elements from both Japanese and Western traditions. What were some of the challenges you encountered in merging these influences?

Integrating Japanese minimalism with Western deconstructivism was an intricate process. Japanese design emphasizes restraint and harmony, while Western deconstructivism celebrates bold, fragmented forms. The challenge was to fuse these seemingly opposing approaches into a cohesive narrative. I used lighting, open space planning, forms, and materials as unifying elements, allowing both traditions to coexist and complement each other. This idea also helped conceptualize the cross-visual relationships within the store.

Many of your design references focus on the interaction between space, light, and human perception. What role does this play in your design, and how did you adapt it to Yohji Yamamoto’s brand?

Space, light, and human perception are integral to my design philosophy. For this project, I used these elements to create a dynamic interplay between the tangible and intangible, reflecting Yohji Yamamoto’s exploration of contrasts. Strategically placed light accents evoke fluidity, while the space’s fragmented geometry challenges conventional retail experiences, aligning with Yamamoto’s brand ethos.

As a student at the New York School of Interior Design, how did your educational background and experience prepare you for this project?

My education at NYSID provided me with a strong foundation in spatial theory and technical skills. The program’s emphasis on practical learning and conceptual thinking empowered me to approach design holistically. Explorations and design techniques during my time at NYSID sharpened my ability to merge innovation with practicality, which was critical for this project.

Congratulations on winning the “Emerging Interior Designer of the Year” at the BLT Awards! How do you envision this recognition impacting your career, and what do you hope to explore next?

Winning this award is an incredible honor and a testament to my commitment to pushing design boundaries. It inspires me to continue creating spaces that resonate emotionally and challenge the norm. Moving forward, I hope to delve deeper into sustainable design practices and explore projects that integrate technology with human-centric design. User experience has always been the centre of my design learning and I envision exploring more and pushing the boundaries of built environments and it’s impact on human psychology and the environment.

Yohji Yamamoto New York City Flagship Store

Yohji Yamamoto New York City Flagship Store

8. How do you plan to continue evolving your style in design? What does the future hold for you?

Design is a journey of constant discovery, and I aim to stay curious and experimental. My goal is to refine my storytelling through spaces, integrating cultural narratives, innovative materials, and cutting-edge technology. I envision a future where my work contributes to both aesthetic and societal progress, bridging art and functionality seamlessly.

VIEW ALL WINNERS.

The BLT Built Design Awards proudly announce the 2024 winners, honoring the creativity and expertise of architects, designers, and construction innovators worldwide. This year’s program has seen over 800 entries from 57 countries, revealing the wide scope of visionary ideas redefining both urban and natural landscapes. From established professionals to emerging talent, the BLT Built Design Awards celebrates those truly shaping the future of architecture, interior and landscape design, and construction.

The BLT Built Design Awards celebrate a unique diversity of expertise, recognizing everyone involved in bringing exceptional projects to life. From architecture firms to construction product designers, the awards spotlight those meeting today’s urbanization challenges with fresh ideas and impactful solutions. After multiple rounds of voting, each winning project was meticulously assessed by a jury of 31 leading professionals, media experts, entrepreneurs, and academics from architecture and design.

This year’s winners reflect a shared passion for visionary design across disciplines. The honor for Architectural Design of the Year goes to ATMOSPHERE by Krallerhof, Germany, a standout project by Hadi Teherani ArchitectsWOSA Sintered Stone Showroom in Macau, created by The Volks Design Research & Consulting Ltd., claims Interior Design of the Year. In Landscape ArchitectureBenjakitti Forest Park in Thailand by Arsomsilp Community and Environmental Architect + TURENSCAPE receives top honors, and System 02 by The Backcountry Hut Company from Canada takes Construction Product Design of the Year. The emerging talents are equally celebrated: Timber & Table, a unique concept by Luxi Chen, receives Emerging Architect of the YearSonal Aggarwal’s striking work on the Yohji Yamamoto New York City Flagship Store is celebrated as Emerging Interior Designer of the Year. Finally, Exoskeletons in Taiwan by Cheng-Wei Lee is recognized as Emerging Landscape Architect of the Year.

Astrid Hébert, Co-founder of the BLT Built Design Awards, praised the outstanding quality of entries and their impact on the built environment: “We are incredibly inspired by the vision and commitment of this year’s winners. Each project tells a story of innovation and resilience, offering solutions to the complex challenges we face in our built environments. These winners are paving the way for future generations with bold, sustainable ideas that will resonate globally.”

This year’s competition highlights the talents of renowned leaders in architecture and design, including figures like Marcio Kogan from Studio Mk27, Zaha Hadid Architects, Tadao Ando Architect & Associates, MAD Architects, KPMB Architects, Bjarke Ingels Group, dwp | design worldwide partnership, Dominique Coulon & Associés, Concéntrico, Casson Mann, Sanjay Puri Architects and Stylt Trampoli AB; just to name a few. These influential voices inspire and guide the industry forward with an unyielding commitment to innovation and quality.

The BLT Built Design Awards continue to provide an invaluable platform for celebrating exceptional contributions to our built environment. This year’s winners embody a commitment to a more sustainable and creative future in architecture and design. Each winner gains exclusive benefits, including prominent recognition among industry leaders and an opportunity to shine at the grand ceremony in 2025.

For the full list of winners and to witness how they’ve gone above and beyond, visit the BLT Built Design Awards website (bltawards.com) and join us in honoring those who are shaping the future of our industry.

The BLT Built Design Awards are thrilled to announce an expanded jury panel for the 2024 edition, featuring a diverse group of globally recognized architects, designers, and thought leaders in the built environment. The new additions to the jury represent a spectrum of expertise, ensuring a well-rounded and insightful evaluation of this year’s submissions.

Among the new jury members are Brett Rhode, Founding Director of Rhode Partners, known for his visionary work in master planning, architecture, and interior design; Mohammad Ghaffari, Founder of Ghaffari Design Studio, whose multidisciplinary approach spans architecture, interiors, industrial design, and fashion; Serhii Makhno, Founder of MAKHNO Studio, blending Ukrainian authenticity with contemporary design across 600+ projects in 25 countries; Professor Des Laubscher, CEO and Co-Founder of Greenside Design Center, an expert in design education and interior architecture; Sandra Baggerman, Architect at Trahan Architects, who excels at merging sustainability with aesthetics; Nicolas Sterling, Co-Founder of STERLING PRESSER Architects+Engineers, known for innovative structural and architectural solutions; Juliet Kavishe, Vice President of the International Council of Design (ICoD), with significant contributions to global design standards; and Pal Pang, Chief Creative Officer of Another Design International, renowned for luxury and sustainable interior architecture projects.

In addition to these new members, the jury also includes several returning esteemed figures: Stanislas HelouFounder of Thinking LuxurySonsoles Vela NavarroFounding Partner of studioVRA and Associate Director of the Architectural Program and Lecturer at Tulane UniversityEason ZhuFounder and Design Director of Fununit DesignRuben Garcia RubioFounding Partner of studioVRA and Assistant Professor of Architecture and Urbanism at Tulane UniversityRocco TseChief Creative and Design Director at Damu Architectural Engineering DesignZhiming XieVice President of the Architectural Society of China – Institute of Interior DesignColleen CocotosSenior Lecturer, Department of Architectural Technology and Interior Design at Cape Peninsula University of TechnologySteffen LehmannFounding Partner and CEO of si_architecture + urban design and Professor of Architecture and Urbanism at the University of NevadaDave PigramDirector at supermanoeuvreValeria SenkinaFounder, General Manager, and Chief Architect at Dseesion Interiorsand more.

A complete list of jury members can be viewed at bltawards.com/jury.

This jury will play a pivotal role in identifying the most groundbreaking and influential projects across all categories, ensuring the BLT Built Design Awards maintain their status as a benchmark for excellence in architecture and design.

 

The awards honor creativity, innovation, and sustainability within the built environment, with categories encompassing architecture, interior design, construction, and project management. Recognizing the very best in global design, the BLT Built Design Awards are open until September 29th. For more information or to submit a project, visit bltawards.com.