Chatchanin Sung is the Executive Director and Landscape Studio Director at Arsomsilp Community and Environmental Architect. As a leading female figure in the field, she has profoundly impacted urban design by blending ecological principles with creative architecture. One of her firm’s most celebrated achievements is the transformation of Benjakitti Forest Park in Bangkok, which earned the prestigious Landscape Architecture of the Year 2024 title at the BLT Built Design Awards.
This remarkable project, developed on the site of a former tobacco factory, spans 720,000 square meters. Benjakitti Forest Park addresses flooding and drought issues but also serves as a biodiverse habitat, offering educational opportunities in ecology, hydrology, and sustainable urban development. The design, led by Arsomsilp Community and Environmental Architect in collaboration with TURENSCAPE as the design consultant, employs nature-based solutions inspired by traditional Thai agricultural wisdom, with the park’s “sponge” concept playing a crucial role in absorbing and releasing water, ensuring the park’s vitality year-round.
In this interview, Chatchanin reflects on the creative and technical challenges of transforming the site, the park’s innovative design elements, and the broader lessons that can be applied to urban projects in dense cities. She shares her insights on how Benjakitti Forest Park represents a model for sustainable urban development and her hopes for its future impact on Bangkok and beyond.
Royal Thai Army – 1st Development Division, Sarakadee Magazine, Mr.Srirath Somsawat
What were some of the biggest challenges you faced when transforming the site, and how did you overcome them?
The biggest challenge was aligning all stakeholders to a shared vision of using the nature-based solution since the initial design for the design competition. Convincing them that this approach is not only feasible but transformative.
Every stage of the process, from design to construction, came with challenges since the concept was new for the entire team. We overcame these challenges by sharing a common goal and working together with experts across fields, from engineers to urban forest experts to local wisdom, to solve problems. To ensure the design’s feasibility, we conducted tests and experiments, including mock-ups and trials of the wetland and natural water filtration system. These tests ensured the wetland’s efficiency in producing clean water, enabling us to realize the concept as planned.
Can you tell us more about the park’s “sponge” concept and how it is effective in an urban environment? How does it meet the specific environmental needs of Bangkok? Bangkok faces unique urban challenges, including high water tables, being below sea level, and extensive hardscaping, which leads to flooding during rainfall. The sponge concept at Benjakitti Forest Park addresses these issues by absorbing and retaining stormwater, which helps reduce urban flooding. The park’s design allows water to seep into the ground, functioning as a natural reservoir and stored in the main ponds. The water reservoir is discharged during the dry season, helping to maintain the trees in the park, allowing low maintenance as well as helping cool the surrounding environment during the dry season, counteracting the heat generated by the city’s concrete surfaces.
How did you approach incorporating the park’s old industrial structures into the new design, especially in relation to how trees and plant life interact with these elements? Our approach was rooted in respect for the site’s history and natural resources. All the existing trees, which are the site’s most valuable assets, were carefully preserved and revitalized. The old industrial structures were also maintained and renovated for new purposes, making them functional and meaningful while encouraging visitors to engage with the park.
New design elements were then added to complement these existing features, making the park more functional with engaging activities for visitors. This blend of old and new created a space that honors its past while serving the community in the present.
How did you balance creating a space that supports the park’s diverse plants and wildlife while also making it accessible and enjoyable for the public?
Our goal was to balance ecological preservation with accessibility by creating zones with varying levels of access. The wildlife sanctuaries are designated as habitats for birds and other wildlife; human access is limited to observation only. Human functional spaces feature open spaces under tree shades, accessible pocket spaces integrated into nature, and inclusive spaces for all.
This zoning ensures that humans and wildlife can coexist, with each respecting the other’s space. The park’s biodiversity, with visits from over 169 bird species, attracts nature enthusiasts, fostering a deeper appreciation for the environment while creating a vibrant community space.
Royal Thai Army – 1st Development Division, Sarakadee Magazine, Mr.Srirath Somsawat
What lessons from this project do you think can be applied to other urban design projects, particularly in dense cities with limited green space?
This project demonstrated that nature-based solutions are a sustainable and effective approach to urban planning, even in densely populated cities. We have seen the importance of incorporating water management systems like wetlands, reservoirs, and permeable surfaces to reduce flooding and test their efficiency. Expanding green spaces beyond ground-level parks to include green roofs and vertical gardens. Renovating existing structures for new uses (adaptive reuse) rather than defaulting to new construction. Using nature-based solutions also ensures budgetary designs and low maintenance needed in the long run.
These strategies not only address urban challenges but also create resilient, multifunctional spaces that benefit both people and the environment.
What do you believe made this project stand out in the BLT Awards, winning the “Landscape Architecture of the Year” title?
The project’s nature-based solution approach stood out for its ability to harmonize human activity with ecological preservation. Benjakitti Forest Park is a central urban park where wildlife, including over 169 bird species, coexist with city life.
Benjakitti Forest Park engages with the planning, design, and regulations that demonstrate a commitment to sustainable design and construction that leads to a model of sustainable urban development whilst creating a space safe for the community and its wildlife.
What are your hopes for how “Benjakitti Forest Park” will evolve over the years and influence future generations in Bangkok?
We hope Benjakitti Forest Park becomes an open, biodiverse classroom for all. Become a learning space for children to connect with nature, a research hub for experts and nature enthusiasts studying biodiversity and urban ecology, and a resource for the public to learn how to coexist with diverse wildlife.
Benjakitti Forest Park shows people the transformative power of sustainable urban development. Our vision is for the park to inspire future urban planning projects to embrace nature-based solutions, adapting local knowledge to create sustainable designs. We aim for it to be a living example of how urban spaces can integrate nature to address environmental challenges while fostering community and education.
Royal Thai Army – 1st Development Division, Sarakadee Magazine, Mr.Srirath Somsawat
In this exclusive interview with Wilson Edgar and Michael Leckie, the lead designers behind The Backcountry Hut Company, we discuss their work with System 02, which recently won the “Construction Product Design of the Year” award at the 2024 BLT Built Design Awards. This two-story prefabricated structure has changed the way cabins are built in remote locations, offering a more efficient and sustainable approach to traditional building processes.
Wilson and Michael’s journey to founding The Backcountry Hut Company is rooted in their shared passion for the outdoors and design. Wilson, with his deep ties to the outdoor community in the Pacific Northwest, has always sought ways to connect people to nature through practical and sustainable design. Michael, an architect with a background in award-winning modernist design, brings a minimalist and highly functional perspective to the company’s vision. Together, they set out to create a prefabricated modular shelter that combines practicality with aesthetic appeal, aimed at improving the building process, particularly for remote and off-the-grid locations.
In this interview, Wilson and Michael share the challenges they noticed in traditional building processes and how System 02 addresses them. They also discuss the balance between aesthetic appeal and practicality in the cabin’s design, the sustainable materials they chose, and how they ensured stability and durability across diverse terrains and climates. They also explore popular customization options for clients and the potential for even faster assembly times.
Winning the prestigious BLT Built Design Award for “Construction Product Design of the Year” is a significant achievement for The Backcountry Hut Company, and Wilson and Michael reflect on what this recognition means for their team and the future of their projects. This conversation provides a closer look at their design philosophy and the impact of their work on the future of modular construction.
Michael Leckie and Wilson Edgar, Photo Credit: Jane Thomson.
What were the challenges you noticed in traditional building processes that led you to create System 02? How have you addressed them?
Prefabrication is not just the way of the future, it’s actually the way of the present. Conventional building practices suffer from unnecessary waste, redundancy, and uncertainty in both cost and schedule. Moreover, conventional building methods are particularly problematic for remote sites due to the challenges of getting workers to and from the site and the lack of easy access to supplies, tools, and machinery. We’ve seen a premium in building costs for remote sites that can be as much as 30-40% higher compared with a similar urban build, and they typically take much longer to execute.
The Backcountry Hut Company streamlines this process with architecturally designed, pre-engineered products that utilize a highly coordinated component-based methodology. Clients can receive initial drawings within two weeks, drastically reducing planning time. The flat-packed kit simplifies construction on site, drastically reducing the time required on-site. Our homes are similar to architectural custom homes in terms of quality, materiality, and detailing – delivered at a fraction of the cost, with certainty and reliability.
How did you achieve a balance between aesthetic appeal and practicality in the cabin’s final look and feel?
In terms of both aesthetics and construction techniques, our designs are modern interpretations of traditional ideas and methods. The designs for the backcountry hut structures were inspired by traditional alpine and backcountry cabins. The methodology for assembling the component-based systems was intended to be an evolution of traditional community barn-raising techniques. We follow the ‘Less But Better’ ethos of legendary Austrian designer Dieter Rams. Our architectural products are essentialist in nature – aesthetically refined and highly functional.
Photo: The Backcountry Hut Company
Can you walk us through some of the specific materials you chose and explain why they are critical to the design?
Our structures are in a league of their own. They are highly architectural and relate more closely to a custom architectural home than any other prefabricated structure in their class. The foundation of our cabin systems is an engineered wood timber frame structure – it’s structurally robust and architecturally striking and flows seamlessly from interior to exterior. We use Canadian-made solid wood windows clad in metal on the exterior for durability. Our standard cladding is metal, providing excellent durability for remote locations, in addition to providing resistance to forest fires which is an ongoing consideration in any of our top markets. Our components are all fabricated in Canada.
In designing System 02, what considerations did you make to keep it stable and durable across diverse terrains and climates?
Both System 01 and System 02 are designed for exceptional adaptability across diverse sites, climates, and use cases. Their customizable features, including overall size, window placement, and deck location, make them ideal for sloping terrains and properties with unique views.
To ensure stability and durability, the structures are engineered to accommodate varying snow loads and can be adapted to meet specific energy efficiency requirements. These features, combined with robust materials and precision-engineered components, allow the systems to perform reliably in a wide range of environmental conditions.
In designing System 02, we prioritized adaptability to accommodate the diverse climate zones across Canada and the USA, ensuring it performs effectively in varied environments.
Given the modular nature of System 02, what kinds of customization options are the most popular with clients so far? Do you see the design becoming even more flexible in the future?
The full-height glass wall at the end of the cabins is the most popular feature. The ‘covered deck’ module is also very popular – providing shelter from rain and snow while extending the living space out into the landscape. We have many inquiries about an operable glass wall extending along the long side of the cabin, and we have protoyped this – and will be adding it to our catalog as a standard in 2025. We have also just introduced the Bridge – an adaptable solution that allows homeowners to unite two separate BHC structures into a single, larger home, offering flexibility and scalability for the end user. Built with the same craftsmanship and sustainable practices that define BHC’s prefabricated systems, the Bridge complements existing designs while enhancing overall usability and flow.
The new bridge element allows clients to connect multiple Backcountry Hut structures together in a manner that maintains the compact form and architectural rigour of the original structures, while also accommodating larger programs with additional bedrooms and living spaces. It also provides hut owners with a straightforward solution for a future addition to their projects.
– Michael Leckie. Co-Founder, Architect AIBC OAA AAA NSAA
Photo: The Backcountry Hut Company
System 02’s 4-6 week assembly time is impressively short compared to traditional construction methods, especially for a two-story structure. Do you think there’s any room to make the process even faster?
The on-site assembly for a System 02 hut can be done in as little as 10 days. The bottleneck in a project is almost never the assembly of the hut system, but rather the permitting and site preparation. Having said that, we are now manufacturing larger panels, which will reduce assembly time even more.
With over 25 installations, are there any particular site locations where System 02 has stood out in performance or aesthetic fit? Can you tell us about some of the feedback you’ve received?
We ask for feedback on all projects, and we always receive thoughtful comments on how we can improve from all parties associated with our different projects, and from that, we have continually enhanced our services and products since we delivered our initial flat-pack kit of parts to our first client.
What does winning the BLT “Construction Product Design of the Year” Award mean for The Backcountry Hut Company? Do you think winning this award will have an impact on your future projects?
Recognition with BLT’s Construction Product Design of the Year Award is an enormous honor for our team. It is one of many awards that our systems have received over the years, but it is particularly special because it recognizes not only the ‘design’ but also the notion of our systems as ‘construction products’ – i.e., celebrating the efficiencies of rigorous industrial design techniques and manufacturing processes to revolutionize construction at the scale of an entire home. We will continue to refine and develop our systems, offering our clients a better way to build, offering homes that are architectural in nature.
In the scenic Songyang region of Zhejiang Province, China, a humble rural building has been transformed into Timber & Table, a restaurant that beautifully blends rustic charm with modern comfort. The project, led by Luxi Chen, a graduate from the University of California, Berkeley, shows her dedication to sustainable design and honoring the past while embracing the needs of today.
Using reclaimed materials and thoughtful design, Luxi preserved the building’s original character while adding subtle modern touches. Her work on Timber & Table earned her the title of “Emerging Architect of the Year” at the BLT Built Design Awards, celebrating her innovative approach and bright future in architecture.
In this interview, Luxi shares the story behind Timber & Table, the challenges she faced as a student architect, and her thoughts on the future of sustainable design. Let’s dive into her inspiring journey.
Luxi Chen
Can you walk us through the vision behind Timber & Table? How did you manage to balance the rustic, rural aesthetic with the modern comforts that clients expect today?
The vision behind Timber & Table was to celebrate the beauty of vernacular architecture while creating a space that feels both authentic and functional for modern users. I wanted to preserve the rustic charm of the original structure while subtly integrating modern amenities and comforts. This balance was achieved through careful material selection—using reclaimed wood and stone for their aesthetic and historical resonance—and introducing understated modern interventions, like discreet lighting and efficient insulation, that enhance comfort without overshadowing the original character.
What specific choices in materials or construction methods did you make to ensure the design remained environmentally responsible?
Environmental responsibility was a guiding principle throughout the project. I prioritized the use of reclaimed materials, such as salvaged timber and locally sourced stone, to minimize the carbon footprint. Additionally, I incorporated passive design strategies, such as natural ventilation and solar shading, to reduce energy consumption. The construction methods focused on retaining as much of the original structure as possible, reducing the need for new materials and preserving the embodied energy of the building.
As a student, what unique challenges did you face during this project that perhaps a professional wouldn’t encounter? Do you think being a student offered you more advantages or disadvantages?
One significant challenge was the limited access to resources and expertise that professionals often have. For example, sourcing materials and managing construction details required more research and initiative. However, being a student also brought advantages: I had the freedom to experiment and push creative boundaries without the constraints of commercial expectations. This duality allowed me to approach the project with a fresh perspective and a strong sense of curiosity.
Timber & Table, photo: YanXiaSanYue
What do you think are the most important considerations when renovating and adapting historic or rural buildings for modern use?
The key considerations include respecting the historical integrity of the building, ensuring structural safety, and addressing the needs of modern users. It’s essential to deeply understand the cultural and historical context of the structure while carefully integrating contemporary elements that enhance functionality without compromising authenticity. Sustainability and adaptability are also crucial to ensure the building remains relevant and environmentally responsible for years to come.
What drew you to explore more traditional and natural aesthetics, and do you see yourself exploring these same styles in the future?
I’ve always been inspired by the timeless beauty and craftsmanship of traditional architecture. There’s a sense of rootedness and authenticity in natural aesthetics that resonates deeply with me. This project reaffirmed my appreciation for these elements, and I see myself continuing to explore them in future work. However, I’m also keen on finding innovative ways to merge traditional aesthetics with contemporary design practices.
As you continue your studies, how has the experience of designing Timber & Table shaped your approach to architecture and design? Did you get any insight that truly changed something in you?
This experience taught me the value of storytelling in design. Every material, form, and detail contributes to a narrative that connects people to a space. I also learned the importance of adaptability—how to respond to challenges with creativity and resourcefulness. It reinforced my belief that design can be a powerful tool for bridging the past and future, a perspective that has profoundly influenced my approach to architecture.
Timber & Table
How did it feel to be recognized by the BLT Awards as the “Emerging Architect of the Year”? Did this recognition impact your vision or goals for your future?
Being recognized as the “Emerging Architect of the Year” was an incredible honor and a moment of validation for my work. It has inspired me to pursue my goals with even greater determination and confidence. The recognition also reinforced my commitment to sustainable and context-sensitive design, encouraging me to continue exploring how architecture can positively impact communities and the environment.
Reflecting on your work with Timber & Table, how do you think sustainable design can evolve in the future?
Sustainable design has immense potential to evolve through advancements in technology and a deeper understanding of local contexts. I believe the future lies in integrating traditional building practices with modern innovations, such as smart materials and renewable energy systems. Emphasizing circular design principles—where materials are reused and buildings are designed for adaptability—can help create spaces that are not only sustainable but also resilient and enduring.
The renowned 3C Group has officially opened submissions for the fifth edition of the BLT Built Design Awards. These awards aim to acknowledge the expertise of professionals engaged in the realization of exceptional projects on a global scale, encompassing architectural firms, interior designers, landscape studios, and construction product innovators. The program is open to professional, emerging designers and students until September 10th, 2025, promising to attract entries from some of the most forward-thinking firms from all around the world!
In 2024, the awards received over 800 submissions from 57 countries, showcasing the astonishing range and quality of projects. The top winners included Architectural Design of the Year, which was awarded to ATMOSPHERE by Krallerhof, Germany, a standout project by Hadi Teherani Architects. WOSA Sintered Stone Showroom in Macau, created by The Volks Design Research & Consulting Ltd., claimed Interior Design of the Year. In Landscape Architecture, Benjakitti Forest Park in Thailand, by Arsomsilp Community and Environmental Architect + TURENSCAPE, received top honors, and System 02 by The Backcountry Hut Company from Canada took Construction Product Design of the Year.
Co-founder and Program Director, Astrid Hébert, said, “With a record number of submissions this year, it’s clear that the talent in architecture and construction is stronger than ever. A huge thank you to everyone who entered—your creativity is truly inspiring! We can’t wait to celebrate the 2024 and 2025 winners at our grand ceremony in late 2025, and we invite all of you to submit again in 2025. The future of design is in your hands, and we’re excited to see what you’ll create next!”
The 2025 jury, comprising experienced architects, designers, developers, academics, and media representatives, will select the winners in each category in October next year. Past jurors have included renowned professionals from around the world, such as Rudi Stouffs, Dean’s Chair Associate Professor and Assistant Dean (Research) at the Department of Architecture, College of Design and Engineering, National University of Singapore; Osaru Alile, Principal Partner at CC Interiors Studio; Pal Pang, Chief Creative Officer at Another Design International; Juliet Kavishe, Executive Board Member of the Pan Afrikan Design Institute (PADI) and Vice President of the International Council of Design (ICoD); Nicolas Sterling, Co-founder and Director of STERLING PRESSER Architects+Engineers; Sandra Baggerman, Architect and Tutor at Trahan Architects; Des Laubscher, Co-Founder and CEO of Greenside Design Center, College of Design; Serhii Makhno, Founder and Owner of MAKHNO Studio; Mohammad Ghaffari, Architect and Designer at Ghaffari Design Studio; Hannah Churchill, Founder and Design Director of hcreates interior design; Brett Rhode, Founding Director of Rhode Partners; Stanislas Helou, Founder of Thinking Luxury; Sonsoles Vela Navarro, Founding-Partner of studioVRA and Associate Director of the Architectural Program at Tulane University; Eason Zhu, Founder and Design Director of Fununit Design; and Ruben Garcia Rubio, Founding Partner of studioVRA and Assistant Professor of Architecture and Urbanism at Tulane University.
Winning a BLT Built Design Award is a highly-recognized badge of excellence within the design, construction, and architectural industries. This accolade sets companies apart, positioning their projects as leaders in innovation and design. The BLT Built Design Awards offers four core programs: Architecture, Interior Design, Landscape Architecture, and Construction Product Design. This broad scope allows companies from all corners of the globe to showcase their exceptional work, regardless of location.
Register now to be a part of this exciting opportunity and take advantage of the early bird discount of 10% for registrations made before April 30th. Don’t miss out – visit bltawards.com for more information and to register.
Cheng-Wei Lee, winner of the “Emerging Landscape Architect of the Year” title at the BLT Built Design Awards 2024, presents his experimental project Exoskeletons. This project delves into the structural and morphological principles of arthropod exoskeletons as a source of inspiration for new construction methods in landscape architecture. A Bartlett School of Architecture graduate at UCL, Cheng-Wei combines advancements in additive manufacturing with bio-inspired computational design to create efficient and adaptable structures.
In this interview, Cheng-Wei discusses the design process behind Exoskeletons, including developing a custom algorithmic workflow that optimizes material efficiency by responding to load and strain levels. Join us as we explore the innovative ideas behind this award-winning project.
Cheng-Wei Lee, Exoskeletons
What inspired you to use arthropod exoskeletons as a model, and how did you translate their structural principles into architectural form?
I’ve always been fascinated by efficient and topology-optimized structures in nature. Their ability to optimize strength while minimizing material use inspired me to investigate how similar principles could translate into architecture. By studying their load distribution and geometry, I developed a procedural design computational workflow to simulate and replicate these characteristics in structural forms.
How does the load-responsive process in Exoskeletons work to adapt the structure’s density and orientation to strain levels? What benefits does this bring?
The load-responsive process involves simulating strain levels across the structure and adjusting the density and orientation of its elements accordingly. This ensures material is allocated where needed most, enhancing strength and efficiency. The benefits include reduced material waste, optimized structural performance, and a visually dynamic result that reflects the forces it supports.
What was your approach to balancing aesthetics and structural efficiency? Were there specific areas where you had to compromise to maintain a visually engaging design?
Achieving harmony between aesthetics and efficiency was one of the most rewarding challenges. I prioritized structural logic as the foundation but ensured the patterns and forms remained visually compelling. There were moments of compromise, especially when balancing intricate designs with structural constraints, but these moments also led to creative breakthroughs.
Could you walk us through some of the key challenges you faced in developing your custom algorithm and how you managed to solve them?
Developing the custom procedural design required solving complex problems related to scalability and precision. Early iterations struggled to balance computational optimization iterations with accuracy. This work was inspired and guided by architectural design prospect research at The Bartlett School of Architecture. I extend my deepest gratitude to Professor Kostas Grigoriadis, whose profound expertise in topology optimization has been instrumental in shaping my approach. My heartfelt thanks also go to my skill tutor, Samuel Esses, for his invaluable guidance in mastering Houdini and integrating it with material distribution techniques for this project. Their mentorship and support have been crucial to this achievement.
As someone working with additive manufacturing and bio-inspired computational design, how do you see these technologies influencing the future of landscape architecture?
I see additive manufacturing and bio-inspired computational design revolutionizing how we approach landscape architecture. These technologies allow for hyper-localized, sustainable designs that adapt to environmental and cultural contexts, transforming how we think about both form and function in natural spaces.
Congratulations on winning the BLT Awards “Emerging Landscape Architect of the Year” prize! Has this recognition shaped your goals and approach to your studies and future career?
Winning the BLT Built Design Award has been an incredible honor. It has motivated me to push further in exploring innovative intersections of technology, nature, and design. It has reinforced my commitment to combining research with practical applications in my studies and future career.
Do you plan to continue exploring bio-inspired structures in future projects? What do you want your future as a designer to look like?
Absolutely, I plan to continue exploring bio-inspired structures in future projects. My goal is to create designs that are not only functional but also embody the intelligence and beauty of natural systems. I envision a future where my work bridges cutting-edge technology with sustainable, impactful design.
Talented Sonal Aggarwal, a rising star in interior design, has captivated the design world with her boundary-pushing approach to spatial and sensory design. Her award-winning project, a flagship store that fuses the avant-garde fashion of Yohji Yamamoto with the deconstructivism of Lebbeus Woods and the ethereal qualities of the California Light and Space movement, has garnered the “Emerging Interior Designer of the Year” title at the BLT Built Design Awards 2024. As a New York School of Interior Design graduate and a Lead Designer at Sasaki, Sonal brings a unique vision that challenges conventional design, blending art, culture, and functionality. In this exclusive interview, Sonal shares the story behind her winning project, the challenges of merging contrasting design influences, and her aspirations for the future of design.
Sonal Aggarwal, Yohji Yamamoto New York City Flagship Store
Could you tell us about the vision behind your project for the BLT Awards? How did you land on the idea of blending Yohji Yamamoto, Lebbeus Woods, and the California Light and Space movement?
The vision for my project was to create a flagship store that encapsulates the philosophy of Yohji Yamamoto while pushing the boundaries of spatial and sensory design. Yohji Yamamoto’s avant-garde fashion inspired me to explore unconventional narratives in architecture. By merging the deconstructivist ethos of Lebbeus Woods with the ethereal qualities of the California Light and Space movement, I aimed to craft a space that challenges perceptions, plays with layers of light, celebrates asymmetry, and pays homage to Yamamoto’s artistry.
How did you approach balancing deconstructivism and asymmetry to create a space that feels both avant-garde and inviting to customers?
Balancing deconstructivism with functionality required a focus on human interaction. I deconstructed traditional retail layouts to emphasize an organic flow, using asymmetry to guide movement and create moments of intrigue for the user experience to evoke brand awareness. Inviting textures and ambient lighting softened the bold architectural forms, making the space approachable while retaining its avant-garde essence unique to the location and brand competitors.
What drew you towards a monochromatic palette inspired by film noir, and how do you think it enhances the overall experience for art-conscious clients?
The monochromatic palette was a deliberate choice to echo the timeless and dramatic qualities of film noir of YY advertisements. By limiting distractions, this palette amplifies the interplay of shadows, textures, and light, which creates an immersive environment for art-conscious clients. It mirrors Yamamoto’s preference for understated elegance and rebellious silhouette-inspired clothing and allows the merchandise to remain the focal point.
Yohji Yamamoto New York City Flagship Store
Your project integrates elements from both Japanese and Western traditions. What were some of the challenges you encountered in merging these influences?
Integrating Japanese minimalism with Western deconstructivism was an intricate process. Japanese design emphasizes restraint and harmony, while Western deconstructivism celebrates bold, fragmented forms. The challenge was to fuse these seemingly opposing approaches into a cohesive narrative. I used lighting, open space planning, forms, and materials as unifying elements, allowing both traditions to coexist and complement each other. This idea also helped conceptualize the cross-visual relationships within the store.
Many of your design references focus on the interaction between space, light, and human perception. What role does this play in your design, and how did you adapt it to Yohji Yamamoto’s brand?
Space, light, and human perception are integral to my design philosophy. For this project, I used these elements to create a dynamic interplay between the tangible and intangible, reflecting Yohji Yamamoto’s exploration of contrasts. Strategically placed light accents evoke fluidity, while the space’s fragmented geometry challenges conventional retail experiences, aligning with Yamamoto’s brand ethos.
As a student at the New York School of Interior Design, how did your educational background and experience prepare you for this project?
My education at NYSID provided me with a strong foundation in spatial theory and technical skills. The program’s emphasis on practical learning and conceptual thinking empowered me to approach design holistically. Explorations and design techniques during my time at NYSID sharpened my ability to merge innovation with practicality, which was critical for this project.
Congratulations on winning the “Emerging Interior Designer of the Year” at the BLT Awards! How do you envision this recognition impacting your career, and what do you hope to explore next?
Winning this award is an incredible honor and a testament to my commitment to pushing design boundaries. It inspires me to continue creating spaces that resonate emotionally and challenge the norm. Moving forward, I hope to delve deeper into sustainable design practices and explore projects that integrate technology with human-centric design. User experience has always been the centre of my design learning and I envision exploring more and pushing the boundaries of built environments and it’s impact on human psychology and the environment.
Yohji Yamamoto New York City Flagship Store
8. How do you plan to continue evolving your style in design? What does the future hold for you?
Design is a journey of constant discovery, and I aim to stay curious and experimental. My goal is to refine my storytelling through spaces, integrating cultural narratives, innovative materials, and cutting-edge technology. I envision a future where my work contributes to both aesthetic and societal progress, bridging art and functionality seamlessly.
The BLT Built Design Awards proudly announce the 2024 winners, honoring the creativity and expertise of architects, designers, and construction innovators worldwide. This year’s program has seen over 800 entries from 57 countries, revealing the wide scope of visionary ideas redefining both urban and natural landscapes. From established professionals to emerging talent, the BLT Built Design Awards celebrates those truly shaping the future of architecture, interior and landscape design, and construction.
The BLT Built Design Awards celebrate a unique diversity of expertise, recognizing everyone involved in bringing exceptional projects to life. From architecture firms to construction product designers, the awards spotlight those meeting today’s urbanization challenges with fresh ideas and impactful solutions. After multiple rounds of voting, each winning project was meticulously assessed by a jury of 31 leading professionals, media experts, entrepreneurs, and academics from architecture and design.
This year’s winners reflect a shared passion for visionary design across disciplines. The honor for Architectural Design of the Year goes to ATMOSPHERE by Krallerhof, Germany, a standout project by Hadi Teherani Architects. WOSA Sintered Stone Showroom in Macau, created by The Volks Design Research & Consulting Ltd., claims Interior Design of the Year. In Landscape Architecture, Benjakitti Forest Park in Thailand by Arsomsilp Community and Environmental Architect + TURENSCAPE receives top honors, and System 02 by The Backcountry Hut Company from Canada takes Construction Product Design of the Year. The emerging talents are equally celebrated: Timber & Table, a unique concept by Luxi Chen, receives Emerging Architect of the Year. Sonal Aggarwal’s striking work on the Yohji Yamamoto New York City Flagship Store is celebrated as Emerging Interior Designer of the Year. Finally, Exoskeletons in Taiwan by Cheng-Wei Lee is recognized as Emerging Landscape Architect of the Year.
Astrid Hébert, Co-founder of the BLT Built Design Awards, praised the outstanding quality of entries and their impact on the built environment: “We are incredibly inspired by the vision and commitment of this year’s winners. Each project tells a story of innovation and resilience, offering solutions to the complex challenges we face in our built environments. These winners are paving the way for future generations with bold, sustainable ideas that will resonate globally.”
This year’s competition highlights the talents of renowned leaders in architecture and design, including figures like Marcio Kogan from Studio Mk27, Zaha Hadid Architects, Tadao Ando Architect & Associates, MAD Architects, KPMB Architects, Bjarke Ingels Group, dwp | design worldwide partnership, Dominique Coulon & Associés, Concéntrico, Casson Mann, Sanjay Puri Architectsand Stylt Trampoli AB; just to name a few. These influential voices inspire and guide the industry forward with an unyielding commitment to innovation and quality.
The BLT Built Design Awards continue to provide an invaluable platform for celebrating exceptional contributions to our built environment. This year’s winners embody a commitment to a more sustainable and creative future in architecture and design. Each winner gains exclusive benefits, including prominent recognition among industry leaders and an opportunity to shine at the grand ceremony in 2025.
For the full list of winners and to witness how they’ve gone above and beyond, visit the BLT Built Design Awards website (bltawards.com) and join us in honoring those who are shaping the future of our industry.
The BLT Built Design Awards are thrilled to announce an expanded jury panel for the 2024 edition, featuring a diverse group of globally recognized architects, designers, and thought leaders in the built environment. The new additions to the jury represent a spectrum of expertise, ensuring a well-rounded and insightful evaluation of this year’s submissions.
Among the new jury members are Brett Rhode, Founding Director of Rhode Partners, known for his visionary work in master planning, architecture, and interior design; Mohammad Ghaffari, Founder of Ghaffari Design Studio, whose multidisciplinary approach spans architecture, interiors, industrial design, and fashion; Serhii Makhno, Founder of MAKHNO Studio, blending Ukrainian authenticity with contemporary design across 600+ projects in 25 countries; Professor Des Laubscher, CEO and Co-Founder of Greenside Design Center, an expert in design education and interior architecture; Sandra Baggerman, Architect at Trahan Architects, who excels at merging sustainability with aesthetics; Nicolas Sterling, Co-Founder of STERLING PRESSER Architects+Engineers, known for innovative structural and architectural solutions; Juliet Kavishe, Vice President of the International Council of Design (ICoD), with significant contributions to global design standards; and Pal Pang, Chief Creative Officer of Another Design International, renowned for luxury and sustainable interior architecture projects.
In addition to these new members, the jury also includes several returning esteemed figures: Stanislas Helou, Founder of Thinking Luxury; Sonsoles Vela Navarro, Founding Partner of studioVRA and Associate Director of the Architectural Program and Lecturer at Tulane University; Eason Zhu, Founder and Design Director of Fununit Design; Ruben Garcia Rubio, Founding Partner of studioVRA and Assistant Professor of Architecture and Urbanism at Tulane University; Rocco Tse, Chief Creative and Design Director at Damu Architectural Engineering Design; Zhiming Xie, Vice President of the Architectural Society of China – Institute of Interior Design; Colleen Cocotos, Senior Lecturer, Department of Architectural Technology and Interior Design at Cape Peninsula University of Technology; Steffen Lehmann, Founding Partner and CEO of si_architecture + urban design and Professor of Architecture and Urbanism at the University of Nevada; Dave Pigram, Director at supermanoeuvre; Valeria Senkina, Founder, General Manager, and Chief Architect at Dseesion Interiors, and more.
This jury will play a pivotal role in identifying the most groundbreaking and influential projects across all categories, ensuring the BLT Built Design Awards maintain their status as a benchmark for excellence in architecture and design.
The awards honor creativity, innovation, and sustainability within the built environment, with categories encompassing architecture, interior design, construction, and project management. Recognizing the very best in global design, the BLT Built Design Awards are open until September 29th. For more information or to submit a project, visit bltawards.com.
We are excited to welcome Serhii Makhno, a distinguished architect, designer, and artist, to our conversation today. Serhii recently joined the BLT Built Design Awards jury, bringing his deep expertise and innovative perspective to this prestigious role.
As the founder of MAKHNO Studio, Serhii has led the creation of over 600 projects across 25 countries, each one showcasing a unique blend of Ukrainian culture, contemporary design, and forward-thinking creativity. His work has earned numerous awards, including the Red Dot Design Award and the Architecture MasterPrize.
In addition to his architectural achievements, Serhii is also renowned for his contributions to ceramics, where his creations reflect the wabi-sabi philosophy. His designs have been exhibited at major international events, affirming his influence in the global design community.
Today, we’ll explore Serhii’s impressive career, his new role with theBLT Built Design Awards, and his thoughts on the future of design.
What motivated you to start MAKHNO Studio, and how has your vision for the studio evolved since its inception?
I started more than 20 years ago when the profession of an interior designer simply didn’t exist in my country, Ukraine. People didn’t understand what it meant. So, the entire process of establishing this industry happened with my direct involvement. Alongside this development, the studio grew as well: from one person, it expanded into a team of fifty top professionals. We also became not just designers, but architects, ceramists, and true contemporary artists.
How do you incorporate the principles of the Japanese wabi-sabi aesthetic into your ceramic and architectural designs?
At one time, this aesthetic paradigm inspired me to rethink the Ukrainian cultural heritage, as well as any other deep authentic cultural legacy. This led to the principles of our studio’s work, which include “naturalness,” “rethinking traditions,” and “perfect imperfection.” The latter principle is my vision inspired by wabi-sabi. It’s a principle that makes design feel alive and genuine, special, and unique, as opposed to serial and artificial. This is achieved through the handmade creation of each element (which already makes any product or project unique) and the desire to reveal the essence of the material, its raw tactile authenticity, without hiding or polishing it.
What role does ceramics play in your architectural designs, and how does it enhance the overall aesthetic and functionality of your projects?
Ceramics are our love and inspiration. We have our own studio where some of the world’s best ceramists, descendants of ancient artisan dynasties, work. There, we create things that surprise and change perceptions of the possibilities of ceramics: ceramic furniture, modular walls, artistic 3D tiles, art lamps, and more. My love for clay comes from childhood. My grandmother in the village taught me how to make clay walls, and I also remember starting to collect old ceramic pots from nearby households as a child. Quite an unusual hobby for a seven-year-old boy, right?
How has the international recognition of MAKHNO Studio influenced your approach to design and architecture?
International recognition has taught us to work simultaneously within the context of different cultural paradigms, innovative design, and contemporary art. This crystallized our unique style. The more we understand the world, the more unique our projects become. And that means they are more interesting and valuable.
In what ways do you think your Ukrainian heritage influences your work, and how do you convey that through your designs?
Ukraine has grand authentic artistic traditions. This will surprise the world. Currently, we are reviving ancient Ukrainian techniques of working with materials, architectural and artistic practices, viewpoints, and aesthetic paradigms. We are reviving and rethinking them. This is a vast well of ideas and inspiration, adding a distinctive and unparalleled uniqueness to our projects.
How has the ongoing conflict in Ukraine affected your work and creative process?
War is the most terrible thing that can happen. It’s a titanic stress and constant physical, psychological, mental, energetic, and resourceful tension. You cannot imagine the conditions in which our people are currently working. But rest assured, this gives us even more motivation to create and promote Ukrainian creativity and business worldwide. We must stand strong, win, and become even better. This is the path of the warriors of light.
How do you see the role of designers and artists in contributing to cultural resilience during times of conflict?
An artist is a creator and transmitter of ideas. In the long run, it is not weapons that win, but ideas. Therefore, the importance of any perspective-shaping creative activity at this time cannot be overstated.
As a jury member for the BLT Built Design Awards, what qualities do you look for in standout projects?
First of all, individuality and a unique signature. In every good idea, I see either a standard rational “correct” approach or an amazing and indescribable presence of the creator’s personality. The first is good, but I value the second more.
Photo: MAKHNO Studio
We are excited to present an exclusive interview with Pal Pang, a renowned interior architect and artist who has made a significant impact in the world of design. As the Chief Creative Officer of Another Design International, based in London, Pal has crafted a career that seamlessly blends traditional craftsmanship with contemporary design. His work is known for its thoughtful attention to detail, innovative use of materials, and deep understanding of cultural and philosophical aspects, particularly through the integration of feng shui principles.
Pal’s influence reaches far beyond his role at Another Design International. His design philosophy is centered on creating spaces that are visually appealing and harmonious, balancing aesthetics with functionality. This approach is evident in his notable projects, such as the refurbishment of a penthouse at Battersea Power Station and the interior design of a residence at One Hyde Park in London. These projects have been widely praised for their elegant integration of Italian custom-made furniture and careful consideration of spatial energy.
In recognition of his contributions to the field, Pal has been honored as a grand jury member for the BLT Built Design Awards, reflecting his standing in the global design community. His expertise and innovative approach have earned him accolades, including the Italian A’ Design Award, which highlights his use of technology and sustainable materials in design.
Educated at the University for the Creative Arts, Pal’s journey began with projects in Hong Kong, where he reimagined retail spaces for brands like Madia jewelry stores. His approach to design combines traditional Chinese philosophies with modern elements, creating spaces that resonate on an emotional level.
Beyond his architectural achievements, Pal also shared insights into his latest venture—a furniture collection designed for the discerning homeowner. This collection blends timeless elegance with contemporary sophistication, each piece crafted with attention to detail and a commitment to materials that stand the test of time. What makes this collection truly special is that it resembles a series of limited edition fine art pieces—each one unique and collectible, designed for those who appreciate both art and exceptional design.
To discover more about Pal’s vision and his new furniture collection, keep reading the full interview.
What inspired you to pursue a career in interior architecture and design, and how has that evolved over time?
I’ve always been fascinated by how spaces can shape our experiences and how time interacts with our surroundings. This curiosity naturally led me to interior architecture and design. Over the years, this initial spark has evolved into a deep passion for creating environments that resonate both emotionally and functionally. My background in fine art heavily influences my approach—each space becomes a canvas where form, texture, and light come together to craft something enduring.
Given your experience with projects like the luxury penthouse at Battersea Power Station, how do you approach integrating sustainability with high-end design?
High-end design and sustainability are inseparable in my work. When designing something like the Battersea penthouse, the goal is to create interiors that are luxurious yet deeply responsible. It’s about selecting materials and methods that not only captivate visually but also respect the environment. This way, the spaces I create are not only beautiful but also timeless and sustainable.
With your focus on sustainability, what emerging materials or methods excite you for future projects?
Materials like steel, wood, stone, glass, and fabric excite me because they offer a blend of timelessness and adaptability to modern sustainability standards. These materials provide a versatile foundation, allowing for sophisticated, sustainable designs. The ability to explore new techniques with these materials is always thrilling, opening up endless possibilities for innovation.
What role does cultural philosophy, such as feng shui, play in your design process, and how do you see it influencing modern design practices globally?
Feng shui, to me, is akin to art—it’s about balance and intuition rather than strict rules. I incorporate it naturally into my designs, letting it guide the process rather than dictate it. This approach adds a layer of harmony and originality that I believe is crucial in modern design. Globally, I see this encouraging a more holistic and culturally aware approach, creating spaces that are not only trendy but also deeply meaningful.
What are the key considerations when blending traditional design elements with contemporary trends, and how do you find the right balance?
It’s all about harmony. I draw on the concept of Zen to create spaces that are serene yet modern, allowing traditional elements to enhance contemporary design rather than overshadow it. It’s like in fine art—the right balance of old and new creates something powerful and resonant. This philosophy is central to my work: respecting timeless design conventions while innovating to create future classics.
As a jury member for the BLT Built Design Awards, what qualities or innovative approaches are you most excited to see in submissions?
I’m eager to see submissions that are not only creative but also make a real impact, especially those that benefit the community. Innovation that goes beyond aesthetics and addresses real-world challenges is particularly exciting. I’m looking forward to how designers are rethinking spaces with sustainability, new materials, or community-focused designs, pushing the boundaries of what’s possible while staying true to the core principles of good design.
What advice would you give to young designers who aspire to make an impact in the interior design and architecture fields?
Live as a designer, don’t just work as one. Design should permeate every aspect of your life, much like how an artist lives through their work. By fully immersing yourself in design, your work becomes more authentic and innovative. The most impactful designs come from a deep connection with your environment and a genuine passion for creativity. This approach will set you apart and help you leave a lasting mark on the field.
Before we wrap up, could you tell us a bit about your furniture collection and what inspired it?
I’m excited to introduce my latest furniture collection, designed for the discerning homeowner. This collection is a modern masterpiece, blending timeless elegance with contemporary sophistication. Each piece is crafted with meticulous attention to detail, using materials that stand the test of time while adding a touch of luxury.
In my work, I believe in defending conventions—not by rigidly adhering to the past, but by respecting the enduring principles of design. This approach allows me to create pieces that feel both timeless and modern, contributing to the creation of future classics. The collection reflects this philosophy, where traditional craftsmanship meets contemporary aesthetics, resulting in designs that are as functional as they are beautiful. What makes this collection truly special is that it’s akin to a series of limited edition fine art pieces—each one is unique and collectible, designed for those who appreciate both art and exceptional design. For those looking to elevate their interiors, I invite you to explore the collection further at ANOTHER. Whether you’re seeking a statement piece or a subtle addition to your home, this collection offers something unique for every taste.
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